SMALL VILLAGES, BIG COMMUNITIES.
Basic information
Project Title
Full project title
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Project Description
For the past years, there has been a tendency: the bigger and smarter the city is, the better is. But are we sure? Is this quality of life sustainable? Are we creating the best inclusive society in this way? Probably not, as demonstrated by COVID-19 and the sudden rediscovery of small villages, their beauty, tradition and sense of community. But how can design contribute to exploiting the lesson and prevent it from being just as a passing trend? Let’s find out together, villager‘s word of honour
Geographical Scope
Project Region
Urban or rural issues
Physical or other transformations
EU Programme or fund
Which funds
Description of the project
Summary
The problem
It’s been more than 150 years since the industrial revolution has broken out, we are worldwide connected but the message is quite the same: if you want opportunities, you need to leave small cities. It’s the “brain drain” of small villages. However, the Covid emergency showed the need of returning to high-quality life where tradition, nature, and community are the masters. How can design contribute to exploiting the lesson? Is it possible to link cities and small villages by creating a unique sense of belonging where the bridges are culture and traditions?
The idea
The idea is to connect cities and small villages through the craftsmanship of excellence, typical of the Tuscan territory. The innovative approach will consist in periodically attracting people from different cities for a short period of smart working (i.e 2 weeks) hosted in Tuscany villages in a formula that will be in between smart working and cultural trips based on community connections. Professionals or employees who are part of companies attentive to employees ‘well-being can do smart working in small villages and, when disconnected, they can explore the territorial realities by "seeing" and "trying" the more “practical” job of craftmanship in laboratories of excellence. This will mix the “tinkering” (typical of craftsmen located in the village) and the spirit of innovation (typical of professionals coming from big cities). In other words, there will be continuous contamination between different worlds for a unique sense of belonging: cities become guests of small villages.
The output
A start-up will be created for connecting different European professionals and Tuscany craftsmanship knowledge, specifically in the territory of Val d’Orcia. The sense of community will be pursued through participative activities, cultural programs, and conviviality moments. The aim is to create communities starting from different peculiar characteristics of the participants.
Key objectives for sustainability
SUSTAINABILITY
Sustainability will be addressed on several levels, especially in the direction of environmental sustainability and social sustainability.
ENVIRONMENTAL SUSTAINABILITY: THE SLOW PACE
Environmental sustainability is seen as a new paradigm to be strongly implemented: to learn and to disseminate the 'slow pace' typical of the selected territory is fundamental for the adoption of a new sustainable approach.
In a technological world that goes faster and faster, to "slow down" means to rediscover the typical rhythms of nature and manual work. Craftsmanship is an extraordinary example: the attention to detail and the required time for making each product unique is not a disadvantage but is its strength. Less big data, less readiness for the market but more direct contact with the product and the customer: sometimes we think that everything must be immediately ready but territorial excellences demonstrate the opposite. In some way, they “educate” the customer to wait and to be able to appreciate the uniqueness and the beauty that derives from the slow process.
Environmental sustainability will also be addressed through the adoption of cycle processes in which “waste” is the input for the design of new products. However, this approach that is usually considered innovative, has been daily adopted for centuries by the territorial realities under study where no waste has been set aside, also due to the paucity of available resources.
SOCIAL SUSTAINABILITY
The project aims to start from the "traditional" concept of sustainability (linked to technical aspects) to "social sustainability". In this case, designers tackle the impact of design on the ecosystem intended as a whole, by including the effects on the community. As such, through this approach, the proposals do not come only from experts in the field but also from the community itself. The idea is to actively involve the citizens, by also replacing the term "bottom-up" with "community" proposal
Key objectives for aesthetics and quality
BEAUTY AND QUALITY OF EXPERIENCE AS CATALYSTS OF A SENSE OF BELONGING
The beauty and quality of the experience will be the cornerstones of the idea. These values will be intrinsic to the design products that will be the “fil rouge” of the sharing experience between the excellent craftsman of the area and the professional guests coming from different cities and countries. But these values will go even further. Beauty and quality will be permeated in the sharing experience itself guaranteed by the territories, meaning how the environment in which we live strongly influences design and craftsmanship.
DESIGN QUALITY AS AN ELEMENT OF COHESION BETWEEN DIFFERENT PROFESSIONALISM AND GEOGRAPHICAL ORIGINS
This is intended to give the design the role of listening to the communities. What the city professionals will first-hand experience is this: working immersed in nature, craftsmanship, beauty, in timeless places. Does the listen to the rhythms of manual skills influence their way of working? How will change, if it does, the result of their work? Furthermore, how will design and planning influence the way they operate? These values will therefore have a specific declination: the beauty of the places and the quality of the craftsmanship that derives from them will act as the glue between the local people and those from different cities and countries. Everything will take place with a view to creating a large community where the elements of union will be precisely the differences and characteristics of everyone: learning from others what we do not know through design, that gives a unique sense of belonging.
Key objectives for inclusion
INCLUSION BETWEEN CITY AND SMALL VILLAGE
In this idea, the concept of inclusion will foresee a mending and a new connection between big cities and small villages. If the villager doesn't go to the city, the city goes to the villager. Because the concept of inclusion and engagement must be bidirectional. The opportunities must be equally distributed in the territories, and if this can be complicated in the reality, then human relationships and connections can help us and act as a bond. The project will be developed with this in mind.
INCLUSION AMONG DIFFERENT PROFESSIONALS
The inclusion will also include the intersection between different professional figures. The multidisciplinary approach typical of this idea will derive from a mix of knowledge that will be part of the project. But it won't stop there. Inclusion, getting to know each other, will take place through the design and the project itself: a manager of a large company will be able to get to know the excellent craftsmanship of the country which is probably far from the type of work he deals with. A village craftsman who has never left the territory will be able to get to know elements of innovation of his field of interest or in any other fields. Doesn't innovation arise from the contamination of ideas?
INCLUSION FOR THE COMMUNITY
There is a background behind the whole project: the whole community. Just think of the municipal administrations, the villagers not directly involved, the colleagues of those who will adopt the project. This will not be a “background” that indirectly witnesses change. Instead, it will be an active and participatory community that listens and promotes what it hears. Sometimes, although it may seem a less scientific approach, conviviality and informal events are the real spontaneous opportunities for change and innovation. And from there comes the most genuine inclusion, less planned but more effective.
Physical or other transformations
Innovative character
UNICUUM
The three dimensions have closely connected each other since the birth of the idea. The way to combine them is given precisely by the spirit of the idea itself: to exploit the beauty and the quality of excellent craftsmanship to create an inclusive community that goes beyond geographical territorial limits, allowing inland areas to make themselves be known and to know.
SHARING
This approach can be exemplary because it allows keeping united the New European Bauhaus values through an innovative process of places and culture sharing. This project does not foresee that one of the 3 New European Bauhaus values will be more pronounced than others, just as it does not foresee a temporal succession or an exchange between one and the other. There is no inclusion and belonging to the community if these do not involve sharing the practices of sustainability and beauty, daily adopted by the host territories and their enterprises. It is an inseparable unicum.
DOMINO EFFECT
None of the 3 values can fail, because each of these is an essential brick. By rolling one, they would all collapse. The idea is based on a multidisciplinary approach that brings together the social sciences, design, and business models. The moments of meeting that will involve the protagonists of the concept will guarantee a fusion between the parts already from the first experimentation.
WHY?
Why should it be exemplary? Because a sense of belonging cannot be created without involving the community. And beauty is needed to be able to involve the community. This is not a design idea. This is not a business model idea. This is not craftsmanship or a co-working idea. This is everything. Indeed, this is the sum of all these approaches.
